Sunday, January 23, 2011

Hats off to hats...

Call me predictable, old-fashioned and irascible (which I occasionally am) if you will, but I've always loved hats. Nothing to do with my beloved shiny pate - more, methinks, to do with their connection to times gone by and a memory of my grandfather, who nearly always wore a hat, like most men of his generation.

I've been wearing 'real' hats for many years. I think I started as a tax collector in London in the 80s. The publicity shots for my first novel, Ganglands, saw me in a black trilby looking fresh-faced and eager.

Maybe, I thought, it's time for a new hat. My old one seems to have shrunk and my son is now using it as a cowboy hat... just like I did, I'm reliably told, as a lad.

I'm tired of baseball caps and army styled caps, though I still have a penchant for flat caps...

Village Hats in the UK, have just delivered my order... and I'm back in hat business.



Friday, January 21, 2011

Canadian Crime Fiction

I spent a lovely week in Toronto once. I had great fun there and had a constant smile on my face when listening to the local accent. I know that Canadians and Americans do the same when they come to Ireland so I should really be forgiven - but I had this constant feeling that I was in an episode of 'Northern Exposure' that quirky Cohen-brothers-style series that was around maybe a decade ago...

Anyhow....

I spent an afternoon in a bookshop on Front Street there - Nicholas Hoare's to be precise - and found a wonderful smattering of Irish and British thrillers and mysteries. It was just delightful to find books by both well-known and lesser-known Irish and British authors. I didn't see any of my old out of print stuff there, sadly, but my ego survived the event in any case...

So, Canadian bookstore memories apart, and acknowleding the wonderful works of Peter Robinson, that displaced (or rather well placed) Geordie now a resident Canuck, I was wondering what Canadian Crime has to offer these days...

To the right here you'll see C.B. Forrest's Slow Recoil, which follows Detective Charlie McKelvey from Toronto's version of 'The Sweeney' or Flying Squad.

In this tome, his follow-up to The Weight of Stones, Forrest takes us on a melting pot tour of Toronto with a wee sojourn in the Balkans as he investigates the death of an immigrant.

Well worth a gamble in my humble and dark opinion...

Sunday, January 16, 2011

The New York Trilogy

I keep coming back to Paul Auster's work. Perhaps it's a desire to elevate my writing to a more literary level, or perhaps it's just that he's such a good storyteller. I think it's both, and his seeming obsession with chance that appeals to my sense of chaos in our confused little world.

Auster has written everything from postmodern noir in the New York Trilogy, to introspective personal memoirs, but in all he manages to construct a pace and rhythm that keeps the pages turning.

Now, as this is 'Crime Time' I'll not side track you with a discussion on modern mainstream literary mores... but rather point you in the direction of something relevant to your self-admitted taste...

Read the New York Trilogy. You'll like it a lot.

Saturday, December 25, 2010

Quinn - Not quite Zorba, not quite Greek

I've read quite a few crime novels in my time. Mostly American Crime, but also British and, of course, Irish.

I've already expressed my admiration for Irish Crime authors (see the old post below on how Irish Crime is wonderful) and without wanting to echo what Declan Burke has written over on my favourite blog of all, Crime Always Pays (which in itself would always be a good thing), I have to agree with him.

Seamus Smyth's 'Quinn' should be republished.

It was released in 2000 with the cover you see to the right (that's the version I have on my bookshelf) and it needs to be available again. What you see to the right is what is left from the original print run. Buy it while you still can...

Killing a Friend

My latest novel, Killing a Friend, will be going live live over on Amazon.com soon.

It's not my usual hardboiled crime novel sorta thang... this is more a mainstream literary effort with elements of crime, betrayal, sex, greed, jealousy, grief, regret, passion, revenge etc. So you might say it is a crime story in disguise. The apple, it seems, never falls too far from the proverbial tree.

As you might be able to gather from the cover it does contain some raunchy bits, but also some social commentary and romance.

Check it out!

IMDB Noir List...

Without wanting to overload you with Noir stuff, below you'll find the link to IMBD's Noir List.

IMDB Film Noir - the list...

Here's another one of my favourite films... The Third Man, from 1949 with our friend Orson Welles as the anithero, Harry Lime.

That mandolin tune is omnipresent... but as it's a nice one who cares?

Thursday, December 23, 2010

Merry Yuletide!

As a newcomer to the world of blogging, this is my first Xmas blog greeting. So it should be special....
But I have a sore head from the party last night and can't think of anything witty or charming or unusual to say - so I'll just say, thanks for dropping by and I hope you and yours have a great holiday and an even better new year.

May your stockings be filled with the things you want, ladies, and gents, may your ladies fill the stockings you bought them!

As a lover of Jim Reeves tunes I've made a recommendation for your festive pleasure. One can only listen to Uncle Frankie boy for so long...

Be good, be thoughtful; be the best you can be.

Saturday, December 18, 2010

Candy Says Kill

I've gotten around halfway through writing a new story that is as dark as it gets. It's a classic Noir tale that uses mistaken identity, sexual attraction, murder, deceit and general underhandedness... with a tricky femme fatale at the centre...

It's a long short story, for want of a better description, and here's a taster for those of you who have taken the time to visit my wee blog...

Candy Says Kill
A short story by
T.S. O'Rourke
She gave me two days. I didn't ask for more, yet I knew I needed it.
It started with a beer and some loud music in a bar in the middle of nowhere, Alabama. She was twenty something and already showing signs of being tired – at least in the emotional sense. Physically she was firm and strong. She waited the tables and worked the bar.
I was on Highway 59, making my way back to New York City. I'd been down south taking care of some unfinished business for some friends in low places. The work was dirty, but the pay was good.
I was tired. The lights on the road had begun to form a long streaked blur across my consciousness and sleep was defeating my attempts to keep it at bay. I tried rolling the windows down and turning the radio up, but even cold night air and Jesus-freaks couldn't keep me awake. I pulled into the first motel and bar I saw, and it was hers.
Her hair was as black as the night. She was pretty, she was sassy. She wore tight jeans and a knotted check shirt, revealing a pierced belly-button and the mysterious line of a tattoo that only just crept over her waistband. Just enough eyeliner, and some off-purple lipstick, cemented her beauty for me.
The bar was full. It was a Sunday night and it seemed that no one had to get up for work the next morning. Live music filled the warm, smoky air.
Once I'd booked a room at the motel reception I went back outside and crossed to the bar, which was located in a separate building. I took a seat. I planned to have a few beers and crash out for the night before recommencing my journey north eastwards in the morning.
She was behind the bar, moving effortlessly back and forth between orders, occasionally braving the crowd to collect glasses, or empty food baskets and napkins. I tried to catch her attention and she studiously ignored my efforts. Only as I stood up to leave did she acknowledge my presence. She threw me a smile that made me sit back in my seat with an air of hope and impending charity.
“What imported beers have you got?” I asked as she approached, hoping to be spared the usual Bud or Miller taps.
“We've got Heineken,” she replied distractedly.
“Anything local?”
“ Old Towne,” she replied. “They do a nice ale, if you like that sort of thing.”
“I'll take one, and a shot of Irish whiskey,” I replied, thinking that an ale in Alabama deserved some sort of company from across the big pond to add a touch of authenticity.
“Jamesons or Black Bush?” she asked. She raised an eyebrow, as if she expected me to say something.
“Black Bush,” I said.
She seemed strangely dissatisfied with my reply – it felt like I was expected to say something else entirely, that I was playing some sort of game.
“Where are you coming from?” she asked, almost casually.
“I've come up from Louisiana. This is just a quick stopover,” I said.
She smiled, looked me in the eyes and then headed back about her business.
The drinks were duly delivered. I started with the Black Bush. It went down smoothly, sweetly. The ale was good, too. As I lifted the glass to my lips I saw her watching me from across the bar. Something in our exchange had sparked her interest. Perhaps it was just the fact that I wasn't a local. Who knows what she thought, but when she realized I had seen her looking she did not look away. She simply raised that eyebrow again and sort of smiled as though she hadn't quite decided what to do with me.
The drinks disappeared and she returned, wiping the counter in front of me.
“You want more?” she asked.
“Always,” I replied.
“Anything specific?” she returned, expecting a crass remark that would ruin everything.
“I'll let you decide,” I said, hoping that she had already understood that this game was going to go her way. I had no intention of diverting the undercurrent of our conversation. It was heavy and dripping with promise, and just one word could rip asunder the potential for more.
“You'll need to eat something,” she replied. “Wings?”
“That will be fine.”
“And another beer?” she said, fixing me with her gaze.
She wasn't allowing me a second whiskey, it seemed. Things were looking up.
“Thanks – that would be great.”
Off she went, carelessly wiping her hands on her rear as she strode the length of the bar. She shouted through the serving hatch to the cook and then disappeared again out on the floor, collecting empties and food baskets.
I felt her squeeze in beside me as she put empties on the bar, her breasts soft, her hips hard, her stomach flat. She seemed to linger briefly and smell me, as if this was her second test. I wondered how many more there might be. She seemed to push herself forwards slightly, emphasizing the contact she had already made, as if to elicit a reaction. I waited for her next move, to see if she would be irritated by my inaction or attracted by it.
“You wings will be ready soon,” she said, almost smiling. “I'll go get your beer.”
I stared deeply into her eyes hoping for the reaction we were both waiting for. She smiled and patted me on the hand, and said “I've been waiting for you”. She turned and disappeared again, leaving a brief essence of fresh sweat and perfume hanging in the air. It was sweet and yet somehow tainted with spice.
The wings and beer were delivered without comment or eye contact, but her touch lingered when I passed the twenty-dollar bill to her. Her hands were soft and cold. I imagined them doing things to me, of releasing my inner demons and opening my consciousness to the possibilities of her firm body.
The music continued, but it was clear that the band was nearing the end of its set. People had started to finish their drinks and leave. It was getting late.
My phone vibrated irritatingly in my jacket pocket and I reached for it, removing my motel room key and placing it on the bar as I did. It was one of the gang back in New York, asking for a progress report. “It's done,” I said and hung up. I was too tired to listen to more and I could always use the excuse of poor coverage, being, as I was, in the middle of nowhere.
I put the phone back in my jacket and looked up. She was standing there right in front of me with my beer.
“You staying here tonight?” she asked, seeing my key on the bar.
“Yes – I'm here for the night,” I replied.
“Room 20. I'll remember that,” she said.
I was unsure if she was joking, or if she was serious. There seemed to be room for both interpretations.

© T.S. O'Rourke, 2010
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I hope to have this published early next year...

More Noir for your digestion...

I've found another nice site that pulls together some well-written essays on the subject of Noir and it's origins, implications and effects on society.


Some nice images on this site as well as its parent site, Modern Times.

Enjoy!